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In the summer of 1989, when Trip City was first released with a soundtrack by A Guy Called Gerald, there had been no other British novel like it. This was the down and dirty side of London nightclubs, dance music and the kind of hallucinogenic drug sub-culture that hadn’t really been explored since Tom Wolfe’s The Electric Kool-Aid Acid Test. Maybe this is why Trip City is still known as “the acid house novel” and an underground literary landmark.

A nightclub promoter returns to town and is thrown into an insidious world of designer drugs, psychosis and murder. Filled with mind-bending hallucinogenic moments, Trip City veers into the realm of Alphaville and neo-noir of the French new wave.

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